Still, fans of anime will probably be happy with it, since it embodies the melodrama the medium is known for. It might be pretty, but visuals seldom make up for a weak script. If one were to compare it to an American film, Redline would be the equivalent of a Michael Bay film. While it is a fun film, the risks it takes are hit-and-miss and leave the audience with mixed feelings by the end of it. Redline depends heavily on the engrossing animation it features, but at times it starts to feel over-stylized and it falls apart a bit at the end. Whats particularly impressive about the way Redline uses the OST is its clever use of 'fade in' and 'fade out' for when cars are airborne. It wouldn’t be much of a race if people played fair. Redline soundtrack anime ost You want to break some speed limits and get your first speeding ticket Put the Redline soundtrack on in your car and find yourself swerving around corners.
#REDLINE ANIME SOUNDTRACK DRIVER#
Racers are pushed to their absolute limita feeling that daredevil driver JP knows all too well. Every five years, an exhilarating race called Redline is held, and the universes most anticipated competition has only one rule: that there are none. Another pointless plot device is the bio-weapon, Funky Boy, which, while incredibly creepy, does little to advance the story. Looking for information on the anime Redline Find out more with MyAnimeList, the worlds most active online anime and manga community and database. A lot of the plot elements also feel forced: For example, JP’s romance with Sonoshee ( Yû Aoi). In addition to the weak character development, the story feels a little cluttered, with a number of scenes seemingly tacked on to draw things out. Toward the end, it even starts to become difficult to tell them apart. All of the characters have their own schtick, which centers on their design or some sort of goofy personality trait. Then there’s the unbelievable amount of cheese in it. The characters all look unique, but many of them never get enough screen time for the audience to be able to differentiate between many of them. While the film might be visually memorable, the actual character development and script is anything but. However, it’s an incredibly crisp and clean anime filled with rich, detailed animation. Filled with vibrant colors that border on being too harsh, Redline has a bubblegum pop feel to it, which makes it feel pointless at times. The entire film has an out-of-control feel, with the cars fishtailing around corners and as they constantly defy the laws of physics. The characters are all unique and memorable (at least in a visual sense), especially the pompadour-sporting neo-greaser JP. As if that wasn’t enough, the Yakuza is trying to fix the race to prevent JP from winning.įirst-time director Takeshi Koike makes a splash with Redline, creating an experience that seems like it’s the brainchild of graphic designers more than it is a traditional anime. However, this race might be the most difficult of JP’s flamboyant career as he not only has to go head-to-head with the best racers in the galaxy, but deal with the planet Roboworld, which has declared war on the race. When the chance to take part in the biggest race in the universe falls into his lap, JP jumps at the opportunity. Redline is the story of an intergalactic racer named “Sweet” JP ( Takuya Kimura), who has found himself in some hot water with the Yakuza and is forced to throw several races.
While the plot might not make much sense, the overall experience more than makes up for the lackluster storytelling. Filled with a bass-centered soundtrack, the film has the look and feel of a high-octane night club. Many of the scenes in this sequence appeared before Kanno produced its music, and is the perfect example of how music, writing, and animation merge into a final product superior to the value of individual pieces.Delivering a pulse-pounding visual adventure filled with vivid colors, bizarre character designs and physics-defying action, Redline is one of the most unique anime to come out in the past decade. As Spike enters a gothic church to meet Vicious, his opponent, we hear an organ playing with a Steve Conte singing ’walk in the rain / why do I feel so alone / for a reason I think of home’ followed by a guitar solo. Let’s take the original song ‘Rain’ from in the fifth episode Ballad of Fallen Angels.
From rock to jazz to metal to pop, Kanno became a chameleon who could easily encapsulate Watanabe’s vision. The final result was an explosive soundtrack that dances freely between an absurdity range of sounds. A producer’s nightmare.Īs more music popped up, new animated sequences appeared. Cowboy Bebop does the opposite it presented an original story – it wasn’t a best-selling manga adaptation – and allowed improvisation in the making. A project needs to assure success with a plan.
#REDLINE ANIME SOUNDTRACK SERIES#
As anime series are expensive products, they are an investment. Production-wise, Cowboy Bebop was completely unorthodox.